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The Immigrant Image of America
By Theodore C. Blegen (Volume 19: Page
1)
The nineteenth century witnessed a new discovery of America.
It came about, not through the daring of a new Columbus, but
as a consequence of letters written by immigrants to the people
of the Old World. It was a progressive and widening discovery
that played an important role in the migration of millions
of Europeans from their home countries to the United States.
Explorers and map makers, ever since the existence and shape
of America were first discerned in the fifteenth and sixteenth
centuries, had been eager and quick to publish their findings.
But the realities of the New World meant little, and indeed
were almost unknown, to the everyday people of Europe until
they began to read, in their own homes, the firsthand narratives
of friends and relatives who had braved the Atlantic and had
seen for themselves what America really was like.
Books in earlier times were accessible to only a few, and
even in book-reading families precise information about America
was uncommon. Not more than a shadowy understanding of the
rising giant of the West could be gained from a name, a map,
or stray allusions in books and newspapers. There was much
curiosity about the western world, but save in circles where
it was motivated by self-interest, it did not result in precise
knowledge. Once the forces of emigration made themselves felt,
the curiosity of all who felt the slightest urge to move and
better their lot was as insatiable as it was concrete and
practical. People asked questions with a purpose, and they
wanted answers. So the letters from across the sea were read
with absorbed interest, often passed from one family to another
in a widening circle, occasionally made available to newspapers
of the neighborhood, and invariably treasured. [2]
In England in the seventeenth century, we are told, a letter
from New England was “venerated as a Sacred Script, or as
the Writing of some Holy Prophet, ‘twas carried many miles
where divers came to hear it.” This is a faithful description
of the reception of thousands of letters from the New World
in the earlier years of the nineteenth century in the Scandinavian
North and in other parts of Europe. As emigration broadened
and gathered volume from all the countries of the Old World,
an interest - and even veneration - like that stirred by seventeenth-century
news from the Pilgrims and Puritans, spread until scarcely
a home was untouched by it and by the impact of direct communication
with the New Canaan. In the Scandinavian countries such letters
were called “America letters.” The impulse to emigrate was
diagnosed as the “America fever.”
The interest in “America letters” had deeper roots than a
passing curiosity about the details of travel and of land,
prices, work, and hundreds of other items that found their
way into homely accounts of personal observation. Under lying
it was an awareness that emigration was a choice between two
worlds. In the letters immigrants wrote home, they told, from
its initial chapters, the story of a decision and its consequences.
For most of them there was no going home again, and this they
knew. They wrote about the land of their choice. They reported
a changed and changing way of life that would shape the lives
of their children. Their accounts of travel were accounts
of more than travel by water and by land - ”for the immigrant
crossed more than an ocean and a continent; his traveling
was
. . . . across the sprung longitudes of the mind
And the blood’s latitudes.”
Breaking his new land, the immigrant also broke with his
past, but the latter was a slower process than the former.
Yet the process was inevitable, and it had wide reach. As
I have written elsewhere: “The immigrant, no matter what [3]
country he sailed from, disembarked in a land of different
culture. The chests and bundles under which he staggered at
the ports of landing were filled with tangible evidences of
his own culture: tools, clothing, furniture, food. Just as
surely as the farming implements he brought could not be used
effectively on American soil or the clothes he wore were not
suitable to American temperatures, so too he would find the
less material parts of his Old World culture, those packed
away in the immigrant chests of thought and tradition, no
longer adequate to his needs.”
The “America letters” form a diary on a grand scale, kept
by people who were experiencing this change of worlds. Their
letters have an unconscious eloquence, sometimes a stylistic
simplicity, that makes reading them memorable. I have collected
many of them and have found in them “everything from fire
and passion to elation and sorrow-the life of ‘hamlet, workshop,
and meadow,’ the reflection of folk characteristics in people
undergoing the transition from one mode of life to another.”
The letters are filled with contrasts that spring from idealistic
hopes and realistic disappointments. America was indeed the
“land of Canaan” and the hopes it inspired are exemplified
in millions of letters. But alongside hope is disillusionment.
The making of America is a theme that histories, novels, and
motion pictures have often apotheosized. The immigrant letters
throw light upon some of the cost in human travail and suffering
and upon many aspects that are quite without glamour. But
no reader, viewing the record across the decades, can escape
the impression that the promise and opportunity of America
were substantially what the immigrants believed them to be.
They were not a myth.
On the other hand, no greater mistake could be made than to
suppose that once the immigrants arrived in America, all was
sunshine and success for them. They began at the bottom of
the ladder. Most of them were poor. They were ignorant of
the language of the country to which they had [4] come. They
faced disease and unremitting hard work done at a pace to
which they were unaccustomed. They had the pangs of homesickness.
Often they were cheated not only by sharp-dealing “Yankees”
but also by their own countrymen. They did not always select
lands with good judgment. They knew disappointment and tasted
failure. But as the decades went by, they got their second
wind, won some measure of success, and were joined by thousands
of their countrymen. Some went down, it is true, under the
trials they faced, but the majority survived their ordeals
and worked their way to “better days.” The letters afford
pictures of conditions endured and problems faced, but they
also supply a needed perspective upon initial troubles.
Reverses could not, in the long run, destroy the implicit
immigrant faith in the freedom of the new land. In the 1840’s
an immigrant correspondence society in Chicago, organized
for the specific purpose of writing “America letters,” went
to the heart of this matter. “Here,” said one of the letters,
“it is not asked, what or who was your father, but the question
is, what are you?” Freedom “seems as essential to every citizen
of the United States as the air he breathes. It is part of
his life, which cannot be compromised or surrendered, and
which is cherished and defended as life itself. It is a national
attribute, common to all. Herein lies the secret of the equality
everywhere seen. It is an American political creed to be one
people. This elevates the lowly and brings down the great.”
Eighty immigrant settlers in a Wisconsin community that had
suffered tragically from malaria and cholera issued a manifesto
in the 1840’s that minimized the initial difficulties of immigrants.
It reminded Norway of “the sufferings of those earliest immigrants
who opened the way for coming generations by founding the
first colony in the United States, the Virginia colony.” This
manifesto declares the immigrant faith: “We have no expectation
of gaining riches; but we live under a liberal government
in a fruitful land, where freedom and equality are the rule
in religious as in civil matters, and [5] where each one of
us is at liberty to earn his living practically as he chooses.
Such opportunities are more to be desired than riches; through
these opportunities we have a prospect of preparing for ourselves,
by diligence and industry, a carefree old age. We have therefore
no reason to regret the decision that brought us to this country.”
This was more than the voice of fourscore immigrant settlers
in a midwestern community-it was the voice of nineteenth-century
America, a part of that total of opinion and information from
the West that “discovered,” or revealed, America to the minds
of people in Norway and Europe.
An interesting aspect of the letters, from the point of view
of the European image of America, is their reflection of a
national debate in the home countries on the merits of America
compared with the advantages of staying home. This debate
reached into homes, newspapers, books and pamphlets, even
songs and ballads. Was the West a mirage? Could the immigrants
survive the hardships they would face? Why go to America?
Why not stay at home and make the best of opportunities there?
Such questions, as they appeared in Norway, for example, in
the 1830’s, 1840’s, and 1850’s, were of such major interest
that immigrants’ letters were snatched up and published in
great numbers in newspapers; preachers discoursed on the dangers
of emigration; pamphlets were written to discourage prospective
emigrants; and the Norwegians who had made their decision
and established homes in the New World were glad to join in
the discussion. Though some immigrants fed the fires of the
anti-American writers, most of the new “Americans” defended
America and emigration and looked with patient and philosophic
eyes at their early woes.
The immigrant’s image of America, portrayed with a thousand
details in letters, is interesting not only as a record of
what was thus transmitted directly to vast numbers of people
in Europe in the nineteenth century, but also as a propelling
[6] force in emigration itself. There has been all too often
an air of impersonality in accounts of American immigration.
The coming of thirty millions of people was a movement of
such magnitude that, to many, it has seemed futile to try
to disengage personalities from the mass. Many writers have
forgotten the individual man in the surging complex of international
circumstances. World forces pushed people out of their accustomed
environment; world forces pulled them westward with magnetic
power. But the pivot of human motion is individual life. Migration
was a simple individual act - a decision that led to consequences
- and the “America letters” were a dynamic factor - perhaps
the most effective single factor, in bringing discontent to
a focus and into action. Praise of America pointed to a contrast.
The New World, if not a Utopia, nevertheless offered land
and opportunity and hope denied, or rigidly limited, in the
Old. Even if criticism of conditions in the home countries
was not explicitly offered, the implication of contrast was
always there. And recognition of the contrast turned discontent
into resolution.
The effects of the letters were often strengthened by the
temporary return home of immigrants - ”America travelers,”
as they were called; and the records tell of many such a returned
immigrant who later went back to America as the leader of
large numbers of new immigrants.
The “America letters” present these leaders too, not only
the rank and file of the immigrant mass. They reveal path-finders
and scouts, men who ventured to frontiers little known, who
on their own or as designated agents searched for new Canaans
and gave some direction to the course of settlement. In the
letters they appear as pathfinders for the first group migrations,
as scouts on the prairies of Midwestern states, as investigators
of the wooded areas farther north, and as searchers whose
travels took them afield from the conventional lines of expansion.
The findings of such immigrant chieftains made their way not
only into letters but also into newspapers, books, and emigrant
guides. Their [7] descriptions fed the flames of controversy
on the European side of the Atlantic about the resources and
promises of the New World, but they also had a sharp impact
upon prospective emigrants. Great forces affected the emigrants
- land policy, the particular stage of the westward movement
at any given time, the character of transportation by sea
and by land, and the changing economic and social conditions
in two parts of the world - but it remains true that leadership
was a part of the immigrant story.
Some of the “America letters” represented a critical sophistication
- those of Ole Munch Ræder, for example. A distinguished
jurist in the 1840’s, visiting the United States to study
the American jury system, Ræder traveled widely among
the immigrant settlements and recorded his observations in
lively letters that were printed in the press of his own country.
His letters are in the tradition of the more searching and
valuable European commentaries on American life in the nineteenth
century. In the immigrant drama they represent an interlude
- a pause for an appraising look-around. Their historical
value has been recognized by full publication in book form
and the inclusion of passages in such recent anthologies as
Henry Steele Commager’s America in Perspective and Oscar Handlin’s
This Was America.
For the most part the immigrants who wrote home were people
of little education, and land and work and hardship bulk large
in their reports. But it should not be forgotten that life
meant more than making a living, more than sheer survival.
The immigrants were people. They fell in love, married, and
had children. They grappled with the intricate business of
learning a new language. They took cognizance of new social
and political situations. They became aware of political parties
and both national and state issues. They helped to elect officials,
and the time came when they ran for office themselves. They
had neighbors and friends and became living parts of communities.
They concerned themselves with schooling for their children,
and for many this [8] seemed the great and open highway to
the better days they dreamed of.
Many sought consolation in religion and the church. Not a
few of those who came from Norway were pietists, influenced
by the teachings of a great lay preacher, Hans Nielsen Hauge,
who had stirred a national revolt in his country against the
rationalism of the eighteenth century; and their piety was
deepened by the psychological turbulence and uncertainty of
migration itself. Coming from a country with an established
church, they pioneered frontiers where there were no churches
of their own faith and tradition among the innumerable sects
which flourished in the frontier atmosphere of religious freedom.
They felt a need to satisfy in some regular fashion their
cravings for the steadiness and comfort that organized worship,
as they devoutly believed, would give them.
It is in this context that one must read the expressions of
Christian piety that flood the “America letters” and also
understand the earnestness with which, from the 1840’s on,
missionaries from Norway set about establishing what they
regarded as religious order out of confusion. The preacher,
lay or trained, is an important and influential figure in
the immigrant story set forth in the “America letters,” but
underlying his role was the religious faith that the immigrants
held as a shared heritage and as a staff to lean on in times
of adversity as well as of success.
Thus the “America letters” are significant for the image of
America that they transmitted to the people of the European
world, and they were factors in ripening into action the discontents
of thousands of people who crowded onto the emigrant ships.
They are important, too, for their revelation of immigrants
as human beings with names, personalities, and all the attributes
of men and women living their lives amid change and struggle.
Firmness and foibles, joy and sorrow are coupled, in the writing
of immigrants, with dreams [9] of what America might mean
not only for their own lives but also for those of their children
and children’s children.
These aspects of the letters that common people wrote about
the land of their choice are of more than passing interest,
but, read today, with the aid of a long perspective, they
are also of value as contemporary documents of the American
scene. This scene was viewed by observers at the grass roots
of American society in a period of fabulous change when immigrants,
alongside native Americans, occupied successive frontiers
in the expansion of the nation.
Such generalizations find illustration in “America letters”
that were sent off to Norway in the general period from the
1820’s to the 1870’s. They represent a geographical spread
from the Atlantic to the Pacific. In their entirety, they
make up a composite diary that starts, when John Quincy Adams
was president, with the “Mayflower” of Norwegian migration
and runs until immigrants from the western half of the Scandinavian
peninsula had traversed America east to west and north to
south.
The story of emigration is one of mobility. To the immigrant
as to others, America, in Archibald MacLeish’s phrase, was
“west and the winds blowing.” Every emigrant had imprinted
on his memory the experiences of the Atlantic crossing, and
the letters recording them are vivid and memorable. Once arrived
at an eastern port, he moved on to the interior, and this
odyssey he also wrote about to the people he bad left. The
crossing of the seas and the way west are essential chapters
in the international story of the emigrant who at the end
of his voyage became an immigrant.
When the letters begin, in the 1820’s, western New York seemed
a frontier region. The Erie Canal was opened just before the
first pioneers arrived, and the early newcomers used it. Rochester
became the center from which they looked out upon the institutions
and prospects of the United States. The novelty of the early
migrations from western Norway helps to explain the interest
and even excitement with which [10] the first returning “America
letters” were received, copied, and circulated in wide districts;
and there is a firm link between the spread of these letters
and the departure in the 1830’s of shiploads of emigrants.
Meanwhile, the immigrants had already been infected with the
virus of the westward movement. The scenes of their reporting
shifted to Illinois and then to Wisconsin. “This is Canaan,”
exclaimed a writer who had sung the praises of America from
western New York, but, now in the 1830’s, admired the fertile
stretches of Illinois. “Norway,” he declared, “cannot be compared
to America any more than a desert can be compared to a garden
in full bloom.” But dissident voices came from those who had
tasted misfortune, and they were quick to point out that Illinois
was far from being a land of milk and honey. So the clash
of testimony, soon to resound through the length and breadth
of Norway, began; and the testimony became more voluminous
and vocal as the emigrant stream turned northward. “Wisconsin
is the place,” wrote another emigrant in a phrase that echoes
through the whole course of emigration with changes in scenes
and names of states. But it is often accompanied by qualifications
and reservations as illness and other frontier trials dampen
earlier enthusiasm.
For many, emigration was not just a single step or venture.
It was a series of moves, with the always advancing frontier
a beckoning goal. As numbers grew and small beginnings led
to compact settlements, “mother colonies” in Illinois and
Wisconsin served as centers from which lines radiated to more
distant Canaans. And as dispersion proceeded, the letters
reflected the story in full range. They told of the ordeals
of pioneering; they described humble personal and institutional
beginnings; they recorded satisfaction and disappointment;
they pictured the isolated farm home gradually becoming part
of a community; and they reflected an immigrant community
life characteristic of many frontiers across the land. The
shadings and gradations of immigrant [11] transition from
old to new ways were everywhere apparent, but immigrant roots
were striking down into the new soil.
The fresh interest of the “America letters” is strikingly
illustrated by the contemporary immigrant narratives of the
California gold rush. Few dramatic episodes in American history
have attracted more attention than that spectacular treasure
hunt, but its story has not yet been fully told. Historians,
for all their zeal, have not brought within the compass of
a comprehensive and rounded narrative the world-wide, as well
as the American, repercussions and aftereffects of the gold
discovery. The negligible general use thus far made of the
contemporary records of the excitement that swept Norway,
once the gold reports reached that northern land, suggests
that possibly only fragments of the rich and widespread historical
materials in Europe on the gold rush have been found and translated
into English. Not one of the California letters now translated
from early Norwegian newspapers has so much as been cited
in any general work on the forty-niners. With a single exception
they are made available for the first time in English translations.
The immigrant story embraces, in addition to New Canaans of
the West and the El Dorado of the forty-niners, the Utopia
of the violinist Ole Bull, who in the early 1850’s planned
a colony in Pennsylvania as a haven for his compatriots. In
view of the idealistic hopes of the violinist and the large
sums of money he poured into his philanthropic scheme, it
is ironical that his colony, named “Oleana” in his honor,
is today remembered chiefly because of the satirical ballad
“Oleana,” which sang its praises in verses that told of salmon
hopping from brook to kettle, cakes that rained out of the
heavens, and “little roasted piggies” that politely asked
one to have some ham. The ballad was what the romantic nationalists
in Norway, who branded emigration as national desertion, wanted.
The song was chanted to the accompaniment of the folk laughter
of a nation. But it was not the ballad that destroyed the
hopes of Ole Bull and [12] caused his colonists to go west.
It was the inherent defects of the Utopia itself, ill chosen
as to lands and weakened by dependence upon the bounty of
the paternalistic and impractical Ole Bull. Most of the settlers,
after disheartening experiences, pushed out to the Middle
West to make their own independent way. Oleana, recalled by
a song and recorded in “America letters,” is an episode that
takes a minor place in the long succession of American Utopias.
Satire would have neither sting nor enduring humor if its
barbs punctured merely false or empty hopes and promises.
The laughter at “Oleana” must have been in the end rueful,
for no ballad could laugh away the claims of America. Roasted
pigs did not roam the streets in search of empty platters
and manna did not stream down from the skies, but underlying
ironical exaggerations was a firm element of truth, and the
“America letters,” by their continuing impact, drove it home
even to skeptical minds. The actualities masked by ridicule
appear also in the genial exaggerations of a humorist - the
brother of the author of “Oleana”- who lived in Lincoln’s
town in the 1850’s and whose letters tell of roads lined with
hedges of bacon and tobacco. This writer, Frithjof Meidell,
saw the comic aspects of the American West; and he penned
an amusing and ironical description of frontier town building,
but he also caught the reality of frontier optimism and its
foundations.
The highways of immigrant expansion ran west and north, but
America was, after all, a gigantic land, and it is not surprising
that immigrants came in not only by transportation channels
extending from New York and Quebec west, but also through
southern doorways. Emigrant ships sailed for the most part
along customary routes to the northern seaboard, but they
also made their way to New Orleans and to the west coast -
and many immigrants knew steamboat travel both up and down
the Mississippi. Texas seems far off the beaten paths of Scandinavian
immigrant land seeking, but Norwegian immigrants were there
as early as the 1840’s. [13] Their settlements in Texas were
islands, not mainlands, of immigrant colonization, but they
are interesting in the record of the “America letters,” principally
through the long-continued writing of a woman who arrived
in Texas as early as 1847 and maintained her correspondence
to the home country for nearly half a century. As her letters
and others from the same region illustrate, these immigrant
Texans were protagonists not only of the glories of Texas,
but also for the wider sweep of America - and their voices
were widely heard in the home country.
The attractions of the North were greater than those of the
Southwest, and Texas never became a focal point for large
numbers of Norwegian immigrants. They followed in stead the
waterways and pathways to the Middle West, to the Great Plains,
and to the lands beyond. Their letters give much attention,
therefore, to northern areas - Wisconsin, Iowa, and Minnesota.
From a Wisconsin parish, a frontier minister views the American
scene in the 1850’s with an eye to the social transition of
his countrymen. A pioneer woman in Iowa, in the 1860’s and
1870’s, chronicles in a lively personal style the many events
and problems of immigrant life, always with thoughts and plans
for her children and their education.
And many “America letters” went out from Fredrika Bremer’s
“glorious new Scandinavia,” the North Star State. The beginnings
touch the immemorial cycle that swings from humble origins
to high future achievement. A farmer writing nearly a century
ago from a river valley in Minnesota could not know that one
of his grandsons, appointed by the President of the United
States, would officially represent in the capital of his own
home country the western empire in which he, the immigrant,
had cast his humble lot. But still he looked into the future
when he wrote simply, “I can say truthfully that I do not
regret our coming here.” This sentiment was echoed by many
another, including a frontier heroine who faced the terror
of Indian war in all its savagery [14] and whose story recalls
the comment of Vernon Louis Parrington that “The epic conquest
of the continent must be read in the light of women’s sufferings
as well as in that of men’s endurance.” The Minnesota saga
also includes the account of a journalist who traveled by
oxcart to the north-flowing Red River in the 1860’s and penned
the praises of its fertile valley, on the rim of the Dakota
prairies, with a serene conviction that this, after all, was
the real land of Canaan. It would become, he believed, “one
of the richest and most beautiful regions in America,” and
many immigrants took his words as sober prophecy.
The “America letters” have historical breadth and depth. They
unfold a panorama not alone of the particular migration they
record but of many aspects common to American immigration.
Their human interest sustains the view that immigrants are
not mere “rows of figures or symbols of trends and inter-relationships.”
The record is a human one of hopes and heartaches, courage
and fear, failure and success, and of ferment and transition
to new ideas and habits and ways of living. But the significance
of the letters goes beyond such considerations, for they delineate,
in part at least, the image of America that stirred the people
of Europe; and they document important chapters in the social
and economic history of the land of their choice, especially
on its changing frontiers. {1}
Note
<1> This essay comprises the opening chapter of the
book entitled Land of Their Choice: The Immigrants Write Home,
edited by Theodore C. Blegen. It is here reprinted by permission
of the University of Minnesota Press, with a few minor changes
and with the omission of footnotes. Land of Their Choice,
published late in 1955 by the University of Minnesota Press
(468 pages), is a collection of “America letters” written
by Norwegian immigrants to their relatives and friends in
Norway in the nineteenth century. Many of the letters, translated
into English, are presented in full, some in the form of excerpts.
Their scope may be suggested by listing a few of the titles
of the eighteen chapters under which the letters are grouped.
Examples are “The ‘Sloopfolk’ Arrive,” “Westward to El-a-noy,”
“Wisconsin Is the Place,” “The Atlantic Crossing,” “Spreading
the Gospel,” “The Transatlantic Gold Rush,” “A Lady Grows
Old in Texas,” “The Beautiful Land,” and “The Glorious New
Scandinavia.” Ed.
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